Archive for the 'Marimba Performances' Category

February Marimba Recitals

Published on February 6, 2010 in Marimba Performances. 0 Comments

There are a number of marimbists who are doing recitals around the country. I wanted to list out a few of them that I know about in order to promote the marimba to a larger audience.

Kyle Maxwell-Doherty gave a graduate recital at the Music Building, Crowder Hall in The University Of Arizona. The recital occurred on February 1, 2010 at 7:30pm. For more information visit the campus events page. The marimba piece is Kevin Puts “Canyon”.

Cat Boyd will present a junior recital later today which I hope will feature “Marimba For An Angel” by Orlando Cotto. It will be performed tonight at 8:00pm at the Boston Conservatory. For more information visit her Facebook event page.

Marco Schirripa will perform his second junior recital February 19, 2010 at 7:00pm in Nabenhauer Recital Room at Ithica College. This one will be with only 1 month of preparation because that is how he “rolls”.

Kendall Guischard will present a graduate recital at Duncan Recital Hall in Morehead State University Wednesday February 24, 2010 at 8:00pm. For more information visit his Facebook event page.

Let me know if there are more recitals and I will be sure to help promote them!

MacRimba Performance at MacPhail School of Music

Published on November 28, 2009 in MacRimba and Marimba Performances. 0 Comments

The MacPhail School of Music’s MacRimba marimba ensemble performed an informal concert on November 14th. The concert featured the following pieces:

“Antonio Vivaldi Presto from Concerto Summer Op. 8 No 2. RV315″ arranged by Aaron Williams

“Ancient Dances of Peten” arranged by Laurence Kaptain

“Three Concert Pieces for Eight Hands on Two Marimbas” by Earl Hatch edited by Robert Schietroma

“Spanish Dance” by E. Granados arranged Ron Fink

“Allegro from Quartett in C - KV 157″ by W.A. Mozart Arranged by Lynn Glassock

Each semester that the MacRimba class performs we continue to increase the level of difficulty on the selections while still keeping a primary focus of having fun playing the marimba.

Performance of “The Offering”

Published on September 27, 2009 in Marimba Performances. 2 Comments

I recently performed Michael Burritt’s “The Offering”  at Faith Lutheran Church in Coon Rapids. This is a beautiful piece which is appropriate for a church setting. This performance was very well received at both services. This will motivate me to continue to work on solos and duets and bring them to church. It is a great outlet for marimbists looking to get out there. Enjoy the video below.

3 more videos of Stout Etude 3

Published on June 4, 2009 in Marimba Performances and Percussion Axiom TV. 1 Comment

As I continue to participate in the Percussion Axiom TV online learning exercise, I have recorded 3 more versions of Gordon Stout’s Etude #3 from Book 1. My note accuracy has increased and these versions now have somewhat of a groove. I feel pretty comfortable now with playing these in front of people. Wait a minute, my earlier versions were on YouTube for the entire world to see, I better be comfortable!

This online learning exercise started in February so it has been a 5 month journey. This is the hardest piece I have ever learned on the marimba so personally this is a pretty thrilling moment. My next post will talk about the new learning exercise that was just announced (complete with prizes for participants). I am ready to continue the journey and cannot wait to see who else joins in!

The 3 videos below are the entire etude played at varying tempos. Take 11 at the top is the best recording I have done to date. Enjoy!

Take 11:

Take 10:

Take 9 (slower tempo):

Classical Marimba League at The University of Minnesota - Marimba Competition Winners Concert

Published on April 4, 2009 in Classical Marimba League and Marimba Performances. 1 Comment

The Classical Marimba League Marimba Competition Winners Concert was held at the University of Minnesota at Lloyd Ultan Recital Hall on April 2nd at 7:30pm. The Classical Marimba League has setup a Facebook page with much clearer photos of the event so please go “become a fan” on Facebook of this great new organization.

The concert started with an introduction by Fernando Meza and  Nathan Daughtrey talking about what we were going to hear this evening. The three performers were the winners of the marimba competition part of the CML and would each be playing the pieces they submitted for their jury.

First to perform was third place winner Yun-Ju Chou. She graduated from the National Taiwan Normal University in 2007 studying under Professor Yiu-Kwong Chung. She has won many awards and marimba competitions in Taipei. She started with Yiu-Kwong Chung’s “Concerto for Marimba and Wind Ensemble (mvmt. II Cadenza/Fuga)”. This piece was a straightforward Fugue with a light pretty melody. She played it with a light touch and nice dynamic contrast. After the piece was over there was a small uncomfortable moment where the audience started to applaud but then stopped because they weren’t sure this piece was complete. I will admit to the same confusion because I didn’t know the piece. This then meant that there was no applause for her pieces until all 3 were complete. I want to ensure Ms. Chou that it was not because the audience did not like the first two pieces. The second piece was Peter Klatzow’s “Dances of Earth and Fire”. Wow. This is one of the tour de force marimba standards that I have heard about many times but have never seen in person. When it is played at this level it will certainly win a marimba competition or two! The arpeggiated passages take you all over the instrument and it just seems endless in how the notes and lunges just keep coming. The notes that I wrote while watching this was “this piece is insane”. The final piece was Keiko Abe’s Marimba d’Amore. This piece is (ironically) on the Vic Firth concert podcast page by none other than CML’s own Nathan Daughtrey. What was impressive about this performance was how relaxed her hands were while playing such a powerful piece. Especially at the end you felt the power without seeing the effort needed to generate that power. For all of the students in the audience, I hope this point wasn’t lost.

Second to perform was second place winner Hiromi Kamiya. She received her Bachelor’s degree in Marimba Performance from Aichi Prefectural University where she studied unter Momoko Kamiya. She has won awards from first prize to semi-finalist in many marimba competitions and she is currently persuing a Graduate Artist Certificate from the Univeristy of North Texas with Mark Ford. First up, was Andrew Thomas’ Merlin. Another standard in the advanced marimba literature, this piece can be found on many marimba CDs including Nancy Zeltsman, Greg Giannascoli and William Moersch (and probably a lot more). This is another of the standard pieces that I have listened to many times but never seen played in person. This was truly the highlight of the evening. This piece truly invokes visions of King Arthur during the subtle rolling sections of movement 1. They rise and fall into dramatic booming passages which evoke an almost trumpet like summoning of the guards. Movement 2 rips into faster passages that compliment the rolling passages of movement 1. I was litteraly mesmerized by the performance, so much so that when I heard a single stick click I wrote down “she is actually human”. Bravo! The second piece was the USA premiere of Hirotake Kitakata’s “HATO-OTO”. I love being able to be a part of history and listening to a premiere and this was no exception. The piece started with a left hand double vertical pattern and a delicate melody in the right hand. Then without warning and with a surprise like a home run in baseball, the piece turns into a jazzy-crowd pleaser! Are you kidding - Jazz? Well we have a new advanced piece in the literature that will sure to make the rounds - this one is a keeper.

Third to perform was the first place winner Yi-Chia Chen. She received her Bachelor’s in Music Education from the National University of Tainan, Taiwan in 2006 and a Master’s Degree in Percussion Performance from Arizona State University in 2008. She is currently pursuing a doctorate in percussion performance with Dr. J.B. Smith and Mark Sunkett. She was the first prize winner of the 2007 PASIC Solo Marimba Competition. She began with Eric Sammut’s “Cameleon”. Sammut is probably the most famous four his “Four Rotations” but “Cameleon” is also frequently played. The ease at which Yi-Chia, moved across the bars, with a relaxed ease and this melody was very pleasing. The second piece was Keiko Abe’s “Variations on Japanese Children’s Songs”. Another classic in the repretoire, this powerful piece requires a confident technique to deliver very quick attacks. Ms. Chen performed this confidently. Finally, the evening was concluded with Claude Debussy’s “Dr. Graddus ad Parnassum (from Children’s Corner Suite)”. Ms. Chen played this a little bit faster that traditionally played and it lost a little of the emotion due to the technique needed to play it this fast. However, it was still a wonderful performance on a piece that is far from easy to play.

The evening was amazing. To hear marimba classics played by extremely talented performers and to hear new premieres in the same concert was a real treat. With respect to all of the performers, I would personally have put Ms. Kamiya as the first place winner based on these live performances, but all three were simply amazing! Thank you for a wonderful performance. To see the pictures of the perfomers, visit the Facebook page of the Classical Marimba League, or the Twitpic pictures of: Yun-Ju Chou, Hiromi Kamiya, and Yi-Chia Chen.

Classical Marimba League at The University of Minnesota - Composition Contest Winners Concert

Published on April 4, 2009 in Classical Marimba League and Marimba Performances. 0 Comments

The Classical Marimba League Composition Contest Winners Concert was held at the University of Minnesota at Lloyd Ultan Recital Hall on April 1st at 7:30pm.

The concert was performed by undergraduate and graduate students of Fernando Meza’s percussion studio at the U of M and showcased a few pieces from the standard marimba literature as well as three new composition contest winners. The full program including performance notes is available.

The first piece was Steven Mackey’s “See Ya Thursday” performed by Adam Rappel. Most marimbist are familiar with this piece on Nancy Zeltsman’s CD of the same name. For me, this was the first time I have seen this played and what an acrobatic treat it was. This is an advanced piece not because the notes are flying fast and furious but because of the long stretches and arm reaches to cover the entire 5 octaves of the marimba. I enjoyed Adam’s touch and his ability to convey that sometimes music is not about the notes, but the space between the notes.

The second piece was Ross Edwards “Marimba Dances” performed by Brittany Piatz. Evelynne Glennie has performed this on her “Light In Darkness” CD. A piece in 3 movements, movement 3 was performed this evening. Brittany has a nice appreciation for dynamic range throughout and a couple note mistakes didn’t detract from the overall performance which was well received. I did wish this piece would have “danced” a little more and because the room was very dry the mallets were one grade too hard.

The third piece was Robert Schumann’s “Remembrance” performed by Eric Neseth. Leigh Howard Stevens arranged and performed this on his CD “Marimba When”. These familiar melodies for piano fit very nicely on the marimba. Tonight’s performance by Eric was note accurate, conveyed the correct style, and was appropriately “pretty”.

The fourth piece was Leander Kaiser’s “Minotaurus 4.3″ performed by Scotty Horey. This piece was the winner in the classical category of the CML competition. The excitement of seeing a new piece performed was only matched by Scotty’s powerful and confident command of the marimba. The piece’s difficultly appeared to be at the advanced college level and didn’t appear to require advanced marimba techniques. There were a number of arpeggio sections sprinkled through the 8 minutes and the piece ended with a powerful and satisfying ending.

The fifth piece was Jens Schliecker and Nils Rohwer’s “ConcorDance” performed by Adam Rappel, marimba and Leah Siltberg, piano. Although the program didn’t mention this was in two movements there was a definite break between the 4 mallet first movement and the 2 mallet second movement. The piece does require a 5-octave marimba. The piece started with some tonal chords that were balanced very well with the piano throughout movement 1. For the second part, the rhythm picked up and the the piece had some “pop”.

The sixth and final piece was Kit Mills “Three European Folksongs” performed by Jennifer Klukken, Brittany Piatz, and Ethan Shervey performing at the same time on one 5-octave marimba. This piece was the winner of the romantic category of the CML. Movement 1 was entitled “French” and featured a 2-mallet player on the top octave with the other two performers using 4-mallets in the lower registers. Movement 2 entitled “English” which features good passion and energy by the performers and some sections requiring rolls. Movement 3 entitled “Spanish” started with a 4-mallet solo which handed off to a 2-mallet cadenza and then a 12/8 triplet feeling melody. A quick suprise with the mallet shafts kept the piece lively and light and definitely earned the title “Spanish”. All 3 performers negotiated the mallet changes and close playing quarters very nicely and this piece was received very well by myself and the audience.

Overall this was a wonderful concert which was enjoyed by over 50 audience members. I want to personally thank all of the players for a very enjoyable evening. I have included a photo below of the performers. The next blog post will focus on the marimba competition part of the event.

cml_mn_2

Classical Marimba League at The University of Minnesota - Part 1

Published on April 1, 2009 in Classical Marimba League and Marimba Performances. 0 Comments

The Classical Marimba League “accomplishes it’s mission through the promotion of new classical music composed by the most creative emerging talents in the arts today”.

One of the challenges that the marimba faces as a concert instrument is that most of the standard literature written for the marimba has been written in the last 60-70 years. That isn’t to say all of the marimba music is 20th century, but when you compare that to the violin or the piano, there is a large gap in marimba music written in the older classical styles.

In addition to Composition Competitions, there are semi-annual Marimba Artist Competitions to showcase both the new music as well as the talents of many marimbists.

April 1st and 2nd (tonight and tomorrow), at the University of Minnesota, there is a public concert featuring the Classical Marimba League. I contacted the host of the event Fernando Meza (University of Minnesota Associate Professor of Percussion and Director of Percussion Studies), to see what pieces will be performed. I also saw via Twitter that Nathan Daughtrey will be flying in for the event. I will post more as the event progresses. For now, here is the list of pieces that will be performed. Enjoy! I know that I will!

April 1st—–

See Ya Thursday - Steven Mackey
Adam Rappel, marimba

Marimba Dances - Ross Edwards
Brittany Piatz, marimba

Remembrance - Robert Schumann (arr. Stevens)
Eric Neseth, marimba

Winner, CML Classical category:
Minotaurus 4.3 -  Leander Kaiser
Scotty Horey, marimba

Honorable Mention, CML 21st Century category:
ConcorDance -  Jens Schliecker/Nils Rohwer
Adam Rappel, marimba
Leah Siltberg, piano

Winner, CML Romantic category:
Three European Folksongs -  Kit Mills
I. French
II. English
III. Spanish
Jennifer Klukken, Brittany Piatz, Ethan Shervey, marimbas

April 2 —-

(3rd place winner)
Concerto for Marimba and Wind Ensemble (Mvt. II Cadenza, Fuga) -
Yiu-Kwong Chung
Dances of Earth and Fire - Peter Klatzow
Marimba d’Amore - Keiko Abe
Yun-Ju Chou, marimba

(2nd place winner)
Merlin - Andrew Thomas
HATO-OTO    -  Hirotake Kitakata (USA Premiere)
Hiromi Kamiya, marimba

(1st place winner)
Cameleon - Eric Sammut
Variations on Japanese Children’s Songs - Keiko Abe
Dr. Graddus ad Parnassum (from Children’s Corner Suite) - Claude Debussy
Yi-Chia Chen, marimba

Thomas Burritt and the UT Percussion Ensemble on KUT Radio - Updated

Published on March 25, 2009 in Marimba Performances. 1 Comment

Thomas Burritt and members of the UT Percussion Ensemble stopped by KUT Radio to play a number of pieces including George Hamilton Green’s “Triplets”, and a solo called “Construction in red and ochre” by Donald Grantham. It has a French name which is spelled differently but you get the idea. Also on the program was John Cage’s “Imaginary Landscape #2″ a.k.a. “Fourth Construction”.

The music and MP3’s of “Triplets” are available at the Project Gutenberg site. It is a much older and harder to hear version so I would just check out the modern rendition instead.

At a future MacRimba concert we should program one of these xylophone rags. I think my favorite is still “Xylophonia” but “Triplets” is very nice too.

This was a very good attempt and a layman’s description of the difference between a xylophone and a marimba. It is a hard question to be able to describe succinctly. Xylophones are smaller, generally have less bars, and are tuned differently.

The players are: Kaitlyn Gabos (soloist on Triplets), Reese Foster, Tyler Kling, and Chad Crummel. (freshman class on the rags) Carolyn Trowbridge MM, and Adam Bedell MM (soloist on “bye bye”).

The Cage Percussion Players are:  Thad Anderson, director. Nick Stange, Owen Weaver, Eric Peterson, Carolyn Trowbridge.

This was a great performance in a wonderful sounding recording room (whatever they used in that room get the blueprints - it sounded fantastic). Nice job everyone!

Concordia College 20th Annual Day of Percussion - Cancelled

Published on March 10, 2009 in Marimba Performances. 1 Comment

The Concordia College 20th Annual Day of Percussion will occur Saturday April 4, 2009 at the Memorial Auditorium. Michael Burritt will be a guest clinician on marimba, Jim Rupp on drum set, and Joko Sutrisno on gamelan.

Dr. David Eyler, Director of Percussion Studies, always does a fantastic job at this annual event. Personally, I have been to 4 of them and the caliber of clinicians as well as the “well oiled” logistic team rival any of the other Days of Percussion that are held across the United States. Dr. Eyler has given talks at the PASIC convention on how to host a Day of Percussion and that experience shows at each event.

At last year’s event, I networked with one of the graduating seniors and have negotiated to obtain an arrangement of one of his pieces.

This year will also be a stunning event, given that Michael Burritt (Thomas Burritt’s cousin) is performing. I had the pleasure to see Michael at PASIC in 2000 perform an incredibly difficult piece called “Escape Velocity 1.4″ as part of the New Music/Research Day. Mr. Burritt recently took a new position at the prestigious Eastman School of Music as head of the percussion department after his tenure at Northwestern University.

There are a number of opportunities to ask questions at these events so I will need to think about what my question will be this year. I am currently working on “The Offering” so that is a good option an an accessible piece for college students. I can tell you it will not be a question on “Escape Velocity 1.4″, or “Scirroco”, as those pieces are left to the top eschalon of marimbists.

Having at least one annual Day of Percussion in Minnesota is an excellent way to stay current with all aspects of percussion. I often wonder why there aren’t more semi-professionals and professionals attending these events. The turn out is always well attended from the high school and college students. However, I find myself in the minority at these events. Hopefully this blog is one more way to get the word out on what a great opportunity we have right in our own backyard (well a 3 hour drive anyway).

I am now sorry to report that I received word that this year’s Day of Percussion has been cancelled. The extreme flood conditions have shut down most of the city and the college. The day of percussion has been officially cancelled by an email from Dr. Eyler and will not be rescheduled. Here is hoping we have better weather next year.